Phones are incredible tools, but great food photography is not about pressing a button. It’s about understanding how light interacts with texture, how lens choice affects depth and perspective, and how composition guides the viewer’s eye.
Food is especially challenging because the camera does not see the way we do. Without intentional lighting and styling, texture flattens, colors shift, and details disappear. Professional equipment, controlled lighting, and post-production refinement ensure your food looks consistent, elevated, and brand-aligned across every platform.
Yes! I’m based in Montana and regularly serve clients throughout the Pacific Northwest and beyond. I am available for travel when the project is the right fit.
Every project is custom scoped based on complexity, usage, number of images, and production needs.
A restaurant menu refresh differs significantly from a regional brand campaign, so pricing reflects the scope of work involved. After our discovery call, I provide a clear proposal outlining deliverables, usage rights, and investment.
Before photography, I worked in fine dining kitchens and trained competitively through culinary school. That background shapes how I approach every shoot. I understand plating logic, kitchen timing, and what chefs intend when they build a dish.
I can guide subtle adjustments specifically for the lens while respecting the craft behind the plate. It creates smoother collaboration and stronger final images.
I shoot in RAW because it gives your images the highest possible quality and flexibility during editing.
A RAW file captures significantly more data than a JPEG. JPEG images are compressed and partially processed in-camera, which limits how much refinement can be done later. RAW files act more like a digital negative, preserving full detail, dynamic range, and color information.
For food photography, that matters. Subtle shifts in texture, highlights on sauces, the warmth of bread, or the depth in a cocktail all require careful refinement. Shooting in RAW allows me to adjust exposure, color balance, and detail with precision, ensuring the final image looks natural, polished, and aligned with your brand.
RAW gives us the ultimate control, ensuring your food looks as exceptional in the final image as it does in real life.
I work primarily with restaurants, hospitality groups, and food and beverage brands. That includes independent restaurants, regional brands, specialty food producers, beverage companies, and businesses launching new products or campaigns. If you care about quality, craft, and how your food is represented visually, we are likely a good fit!
Yes. Food styling is built into most of my projects. Because of my culinary training, I’m able to adjust plating, enhance texture, and ensure dishes read beautifully on camera. For larger productions, additional stylists can be brought in if needed, but many clients appreciate having both photography and styling handled seamlessly together.
Yes! For brands seeking original content, I offer recipe development alongside photography. This is especially valuable for food and beverage companies that want custom recipes featuring their products, complete with step-by-step or final hero imagery.
Turnaround times vary based on scope, but most projects are delivered within two to three weeks after image selection. Timelines are discussed during pre-production so expectations are clear from the beginning.
By default, I retain copyright ownership of the images, which is standard in professional photography. Clients receive exclusive usage rights tailored to their needs, whether for website, social media, print, or advertising.
If expanded usage such as large-scale advertising or long-term national campaigns is required, we can discuss extended licensing. Everything is clearly outlined upfront so there are no surprises.
Every project begins with a discovery call so I can understand your brand, audience, and where the images will be used.
From there, we move into pre-production planning, including shot lists, surfaces, props, lighting direction, and timeline. On shoot day, I work tethered, meaning images stream directly into professional software as they are captured. Clients can view images in real time and provide feedback immediately.
After the shoot, you select your final images, and I move into detailed retouching and refinement before delivery.
I primarily use professional flash and strobe lighting because it provides consistency, precision, and control. This allows me to create a cohesive look across an entire set, regardless of weather or time of day.
Professional strobe lighting is very different from on-camera flash. The light is off-camera, modified, diffused, and shaped intentionally depending on what we are photographing. A pastry, a cocktail, and a steak all respond differently to light. Controlled lighting allows me to highlight what matters most in each dish.
For brands and restaurants, this level of control means your images feel polished and consistent across menus, websites, campaigns, and social media, rather than looking slightly different each time they are photographed.
Lighting is not just technical; it’s strategic. It sets the mood, reinforces brand identity, and protects the quality perception of your food.
Having said that, if a space has beautiful natural light and it aligns with your brand aesthetic, I’m happy to incorporate it. The decision is always intentional and based on what best serves the final result.
If you have additional questions, let’s hop on a discovery call to discuss your specific needs!